Fill your screening schedule with exclusive French Films!
Ventana Sur Goes On-Site in Madrid, Paris, Rome, Mexico City, Sao Paulo, Santiago & Bogota (EXCLUSIVE)
|‘Gagarine’ Review: Poignant Debut Is Like ‘The Martian’ in Housing Projects (IndieWire)|
|‘Love Affair(s)’: Cannes 2020 Label Review (Screen Daily)|
|‘Gagarine’: Cannes Film Review (Variety)|
|« Josep », una vida de arte y exilio republicano con el sello de Canne (EFE)|
|CANNES 2020 – critique : Gagarine|
|The Academy Explains Plans to Diversify Its Ranks Over the Next Five Years (IndieWire)|
|‘Slalom’: Cannes 2020 Label Review (Screen Daily)|
|CANNES 2020 – Critique : Slalom (Cineuropa)|
|CANNES 2020 – Critique : Josep (Cineuropa)|
|Director Aurel on Cannes Selection Animated Feature ‘Josep,’ Memory, Movement, Music (Variety)|
|‘Josep’: Cannes 2020 Label Review (Screen Daily)|
|‘The Squad’: Cannes Market Review (Screen Daily)|
|Four French distributors talk hopes and plans as cinemas reopen (Screen Daily)|
|Cette année, le marché du film de Cannes se déroule en ligne : voici comment cela va se passer (Le Journal du Dimanche)|
|What Will the Indie Film World Face at the Cannes Virtual Market? (Variety)|
|Shutdown Helps Streaming Platforms in France (Variety)|
|One of the world’s best soccer teams is chronicled in Stéphanie Gillard’s feature documentary, which premieres in Cannes’ virtual Marché du Film. (The Hollywood Reporter)|
Catch up on our weekly workshops discussing challenges and opportunities that could shape the future of film!
For more than 70 years, UniFrance has been using its experience of the international marketplace to support French cinema worldwide.
UniFrance is based in Paris and also has representatives for New York, Beijing and Southeast Asia. Its membership brings together around 1,000 French producers, filmmaking talents, agents and sales companies, which are working together to promote French film among foreign audiences, industry executives and media.